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Cabinet Sticker By far the most reliable way to date your amp is to look for the month/date code stamped on the tube layout sticker on the inside of the cabinet.A00100 to A02000 – 1964 A01200 to A08100 – 1965 A08100 to A17000 – 1966 A16000 to A21000 – 1967 A20000 to A26000 – 1968 A25000 to A28000 – 1969 A28000 to A29000 – 1970 A29000 to A32000 – 1971 A32000 to A35000 – 1972 A33000 to A39000 – 1973 A39000 to A42000 – 1974 A42000 to A51000 – 1975 A51000 to A53000 – 1976 Export models had serial numbers that started with a “B” rather than with an “A”.The current Universal Audio’s 1176LN reissue is built from that circuit, as are the 1176 limiter in our 6176 Vintage Channel Strip and our 2-1176 Twin Vintage Limiting Amplifier.Other variations of the 1176 exist, such as the 1178 stereo limiter and the 1176/LA-3A FET/optical dual-detector hybrid UREI Modulimiter.Patented by Jim Lawrence, the LA-2A optical Leveling Amplifier was first produced by Teletronix in Pasadena, California.Earlier variations such as the very rare LA-1 and LA-2 still exist in private collections, but the LA-2A was the improved design that caught on.Teletronix later became a division of Babcock Electronics Corp. In 1967 Babcock's broadcast division was acquired by Bill Putnam's company, Studio Electronics Corporation, shortly before he changed the company’s name to UREI®.

Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. See all condition definitions- opens in a new window or tab Twin Reverb Blackface Mod Kit for Silverface by Fenderjunkie Killer, easy to follow mod.

Getting that classic Fender Twin sound that I'm using for a Jerry Garcia tone.

Summary “If an alien came to earth and wanted to hear an American guitar sound, I’d play him my Twin with a set of Jensens”. Having two pairs of 6L6, the popular and traditional two-channel AB763 circuit design, a diode rectifier and enormous transformers (power & output), it offers tons of clean headroom and volume for unmiked gigs and really big stages.

This is exactly what the amp is made for, being played unmiked in in a gospel band in a 300-seat church every Sunday.

It is designed not break up like the other Fender amps.

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